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Using some sort of stutter or gating effects can quickly turn almost any sound into something that has a nice rhythmic quality. We often turn to these small tricks to transform different field recordings or sounds that are more drone like into material that has either a very distinct and clear rhythm or to something that just has a small, almost inconceivable pulse to give our sound that extra bit of life or gradual change throughout a track.
To put it simply, our music is often some repetitive parts built up from some number of layers. These parts usually come from recordings of analog synthesizers, VST instruments or different sources of acoustic and electric instruments like guitars, piano and wind instruments. The parts are organized in an arrangement where we bring in and out different parts over the duration of a tune. We feel that monotony and repetition are an important core of music in the ambient genre regardless of what sub-genre within ambient we are talking about. To make monotonous and repetitive music interesting over time we need something more, and for us that usually means to sprinkle our music with some randomness.
Quite quickly after forming Pjusk we discovered Ableton Live. It was live at first sight. Live version 4. With its equally good automation features and easiness of looping. It had everything that Acid had, and then some. The automation features in Live was even better than in Acid, as we could have automation both on clips as well as tracks.